{"id":1085,"date":"2025-11-10T12:06:42","date_gmt":"2025-11-10T12:06:42","guid":{"rendered":"https:\/\/elprincipaldecorsega.com\/portfolio\/ramon-herreros\/"},"modified":"2025-11-10T12:16:43","modified_gmt":"2025-11-10T12:16:43","slug":"ramon-herreros","status":"publish","type":"portfolio","link":"https:\/\/elprincipaldecorsega.com\/en\/artistes\/ramon-herreros\/","title":{"rendered":"Ramon Herreros"},"content":{"rendered":"
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Artists<\/h2>\r\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1724521804683{margin-bottom: 32px !important;}”][vc_column width=”1\/3″][vc_btn title=”” shape=”round” i_icon_fontawesome=”fas fa-times” css=”” add_icon=”true” link=”url:https%3A%2F%2FTO_REPLACE%2Fartistes%2F|title:Artists|” el_class=”go-back-mobile”][vc_single_image image=”1073″ img_size=”600×600″ css=””][\/vc_column][vc_column width=”2\/3″ el_class=”artist-description”][vc_btn title=”” shape=”round” i_icon_fontawesome=”fas fa-times” css=”” add_icon=”true” link=”url:https%3A%2F%2FTO_REPLACE%2Fartistes%2F|title:Artists|” el_class=”go-back”][vc_column_text css=”” el_class=”artist”]\r\n

Ramon Herreros<\/h1>\r\n[\/vc_column_text][vc_column_text css=””]Trained at the Massana School between 1962 and 1967 \u2014where he studied painting and ceramics\u2014, Herreros completed his artistic education at the Cercle Art\u00edstic de Sant Lluc and the T\u00e0rrega Academy. In 1967 he joined the first class of the design school EINA, founded by figures such as Alexander Cirici Pellicer and Albert R\u00e0fols-Casamada, and that same year co-founded, together with Alexandre Tornabell, Jos\u00e9 Luis Jubany and Jordi Morera, the Equip A, an art collective active until the early 1970s. \r\n\r\nAlthough he never stopped drawing or taking photographs, he did not return fully to painting until 1980. In October 1982, he held his first solo exhibition at Galer\u00eda Ciento in Barcelona \u2014a turning point that consolidated his own visual language. \r\n\r\nHis work, initially marked by a highly personal and recognizable abstract symbolism, gradually evolved toward a refined figuration. In 1996, he surprised both critics and audiences with a quadruple exhibition in Barcelona \u2014Galeries Senda, Ren\u00e9 Metras, Gaspar, and Boza Editor\u2014 where he presented his first figurative paintings: a new path combining his classical painterly approach \u2014transparencies, subtle chromatic nuances\u2014 with a non-naturalistic representation of female bodies, mountains, and trees. \r\n\r\nSince then, Herreros has developed a universe where figure, architecture, and organic form coexist with an expressive austerity that invites silence and contemplation. The tension between gesture and structure, between glaze and light, between presence and distance, gives his painting a metaphysical and timeless quality. \r\n\r\nHis works are held in several museums and private collections, and his career, sustained over decades, shows remarkable formal and conceptual coherence. From his studio in Barcelona, he continues a search that, more than stylistic, has become a way of inhabiting time itself: to look, to distil, to paint. \r\n\r\nRamon Herreros’ personal blog<\/a>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_masonry_media_grid css=”” grid_id=”vc_gid:1762774982214-87b3bdb2-3bb1-7″ include=”1053,1049,1045″][\/vc_column][\/vc_row]<\/div>","protected":false},"excerpt":{"rendered":"Ramon Herreros is a Barcelona-based painter who explores the threshold between abstraction and figuration, shaping a personal language where light, form and silence become poetic substance. His work reflects on presence, time and contemplation, inviting us to perceive the sacred within the stillness of the painted gesture. ","protected":false},"featured_media":1074,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","tags":[],"class_list":["post-1085","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/elprincipaldecorsega.com\/en\/wp-json\/wp\/v2\/portfolio\/1085","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/elprincipaldecorsega.com\/en\/wp-json\/wp\/v2\/portfolio"}],"about":[{"href":"https:\/\/elprincipaldecorsega.com\/en\/wp-json\/wp\/v2\/types\/portfolio"}],"replies":[{"embeddable":true,"href":"https:\/\/elprincipaldecorsega.com\/en\/wp-json\/wp\/v2\/comments?post=1085"}],"version-history":[{"count":2,"href":"https:\/\/elprincipaldecorsega.com\/en\/wp-json\/wp\/v2\/portfolio\/1085\/revisions"}],"predecessor-version":[{"id":1087,"href":"https:\/\/elprincipaldecorsega.com\/en\/wp-json\/wp\/v2\/portfolio\/1085\/revisions\/1087"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/elprincipaldecorsega.com\/en\/wp-json\/wp\/v2\/media\/1074"}],"wp:attachment":[{"href":"https:\/\/elprincipaldecorsega.com\/en\/wp-json\/wp\/v2\/media?parent=1085"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/elprincipaldecorsega.com\/en\/wp-json\/wp\/v2\/tags?post=1085"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}